The Keep – Jennifer Egan
Danny, a misfit with a desperate need for Wi-Fi and phone signal, joins his estranged, successful cousin Howie in turning a castle into a hotel. As they navigate their difficult relationship and the castle’s surprises, the convict narrator’s story within the story unfolds.
The story of the castle is a good one in itself – the contrast between tech-addict Danny and luddite Howie speaking to our time, their awkward relationship rooted in the trauma Danny caused Howie in childhood, the blend of realist and bizarre. But that story is being told by Ray in a prison writing class, with Ray and teacher Holly’s lives also an interesting course of events, as the challenge of life within prison interferes with the class and we learn about her own state of affairs. It’s a good touch to have a bit of meta in the mix, as the two tales reflect and reach into each other.
The castle and prison narratives are both a strong mix of human drama and the strange, with intriguing characters at the helm. The meta element really adds something on multiple levels, without sliding into the head-scratching complexity or posturing that can come when things go in that direction, making the whole deeper than its two parts.
Really entertaining, thoughtful, and moving.
The Chapo Guide to Revolution: a Manifesto Against Logic, Facts, and Reason – Chapo Trap House
The book by the comedy/politics podcast Chapo Trap House.
Chapo offers a caustic, ironic, irreverent look at (mostly American) politics from a far-left perspective, saying that ‘you don’t have to side with the pear-shaped vampires of the right or the craven, lanyard-wearing wonks of contemporary liberalism.’
The comedy is a cathartic take-down of the centre and right for Extremely Online failsons, but under the irony are nuggets of insight.
[The liberal] process pits tepid reforms against a deranged and revanchist right wing with no such inclination toward consensus or incrementalism. […] Without an organized and popular Left, liberals end up negotiating themselves into oblivion, moving the country, inevitably, to the right.
The chapter on the world provides a quick Chapo-style riff off Howard Zinn or Chomsky, the chapters on libs and on cons are caricatures of both sides with satirical summaries of major administrations (The young and ready [Obama] threw off his jacket, rolled up his sleeves, and declared, “Let’s find some fucking consensus!”), the chapters on media and culture are entertaining satire. The chapter on work is a great broadside against capitalism, railing against the system of wage labour (‘no employer hires anyone unless they can extract more value from them than they have to pay out in wages and benefits’) and the financial system’s destructive gambling.
Even as a Chapo fan, I don’t think their brand of bitterness and irony can make a whole manifesto. What’s missing is a chapter on the left – with, dare I say it, a bit more hope, warmth, and sincerity.
There are a couple of paragraphs here and there that mention egalitarian ideals, a new order where ‘the productive forces of society aren’t spent on inventing new weapons of mass destruction and clever ways to brutalize dissidents but on ensuring that all people enjoy the fruits of their birthright.’ Okay, but this is pretty simplistic, and only speaking to the home team. Chapo is better at tearing down than building up.
A must-read laugh for fans of the show. This book isn’t aimed at convincing newcomers, but as the hosts say themselves: your politics shouldn’t come from their dumb comedy podcast anyway.
Bird By Bird: Some Instructions on Writing and Life – Anne Lamott
‘Bird by Bird’ doesn’t have much detail on the nuts-and-bolts technique of writing – point of view, showing vs telling, whether adverbs are all evil or not, etc. Its focus is on things like paying attention to life, staying at your desk and dealing with your neuroses until you can finish a shitty first draft, dealing with jealousy, perfectionism, and getting out of your own way.
Lamott is funny and honest, dismissing romantic ideals about writers and being published. This was a refreshing dose of warmth and sincerity after the Chapo book. Although there wasn’t much here that struck me as new insight, her points are still important and expressed with nice jokes and anecdotes.
If you’re struggling with doubts and distractions, read this – you’ll find it very helpful. If you’re looking for help with the gritty details of technique, try Stephen King’s ‘On Writing’ or David Jauss’s ‘On Writing Fiction’.
Broken Things – Lauren Oliver
Obsessed with the book ‘The Way into Lovelorn’, 12 year old children Mia, Brynn, and Owen killed their friend Summer, following a ritual from their fanfic sequel. That’s what the community believes, anyway. Five years on, their lives thrown off track by the murder, Mia and Brynn try to find out the truth.
Another great ‘story within a story’ thing, with extracts from ‘The Way into Lovelorn’ and their fanfic providing clues to what happened that day. The darker elements of Summer’s friendship with Mia and Brynn come to light, as her obsession with Lovelorn and troubling features of her personality unfold. Each character has a distinct voice and personality, shaped by the past as her life and death looms over them.
A brilliant depiction of difficult knotty relationships, the aftermath of tragedy, and darkness tangled up with affection and hope. The mystery has some nice twists and turns, casting suspicion while building to an intense conclusion, and I found that ending a good move.