Book Reviews (24)

Warbreaker – Brandon Sanderson

A standalone in which two lands approach war, divided by beliefs about an intriguing magic system centred on colour and Breath – an essence each person is born with one of, with more usable to Awaken objects to do tasks or the dead to kill. It’s versatile: and makes for a good nuke-analogue.

For the first 40-or-so% I enjoyed it but found the characters and beliefs at play a bit simplistic, edging toward Flanderized. Then began the real character development, everyone and their ideals getting challenged and drawn out further. Vivenna goes from devout, prim princess through a wringer of trials, Lightsong’s dope, and Siri and Susebron… in retrospect the kneeling is hilarious.

The climax is a lot of fun, full of surprises and logical payoffs, if a little dependent on overly-mysterious tinges to the worldbuilding. The character arcs are fantastic, though I wonder if there could’ve been a touch more nuance and internal conflict in the first parts. And I have to ask what happens to [instigator] after the end? I mean, there were valid reasons to be pissed off.

The madlad even has this free on his site – here.

Worldbuilding For Fantasy Fans And Authors – M.D. Presley

(h/t WASBC)

Presley starts with a somewhat plodding overview of what worldbuilding is – you can probably skip to p.35 without missing much – then becomes more interesting. The book provides insightful new terms, and gathers common points on the subject like Sanderson’s laws of magic or the warning to avoid smeerps in a compact package.

While sometimes his way of phrasing things felt a bit knotty to me, the underlying points generally make good sense. The analytical approach picks out the fundamentals, expands on standard fare in interesting ways (separating show-vs-tell into five options from ‘hard impart’ to ‘hard deduct’), but (outside the intro) avoids bogging down in minutiae.

Blood of Elves – Andrzej Sapkowski trans. Danusia Stok
Witcher #3

Fun.

The first two sets of stories provided just enough context to understand what’s going on here, but the novel gives more chance for the characters to breathe. Geralt, the pretends-to-be-gruff himbo mess. Dandelion, who either had a lot of off-page character development or is just written differently in such a way that I no longer want the scamp immolated. Yennefer, evolved from an interesting character who’d then inexplicably become a ‘uwu Geralt pwease’ smol bean to a more consistent, sardonic, hard-willed tsundere. Triss, Yarpen. Ciri! 😭

Aside from a little cringe (fear!), seeming anachronisms like ‘the secret virus cultures’, and highly specialised and undefined swordplay-vocab, yeah, I like it. The worldbuilding is very rich, down to detailed discussion of a trade war during customs inspection of a barge. All the interactions are nice, especially involving Ciri and the ‘good friend’ letter. Sapkowski is really good at showing a large crowd interacting, sketching out each character and group. The story emerging, concerning the threat of Nilfgaard, the Scoia’tael/human-other relations, and the prophecy, already has some good turns. The ending is a little abrupt, leading on to #4.

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