Time of Contempt – Andrzej Sapkowski
A bunch of pieces are pushed forwards – Nilfgaard and the four northern realms, Ciri and Yennefer, Geralt and Yennefer, the sorcerer’s council, the desert onwards. It feels a book of separate parts, a little disjointed even though it all fits together.
The world and character are just very enjoyable. Yennefer’s gaslight/gatekeep/girlboss energy, Geralt the spooky dude who #lifts but is lowkey an awkward sensitive himbo, Dandelion continuing to be much better than in the stories. Ciri’s note at the inn. The whole banquet sequence with its high-class sophisticated bitchy wit and my G trying to get some damn shrimp.
The world in general is strongly built, with the political machinations and detailed economic consequences and so on. There’s a good balance of defined facts and a sense of history to a sense of mystery and possibility. One weakness/strength, depending on perspective: how specific some of the terminology for armour, ranks, etc can be. It can be a good thing to send the reader to a dictionary, but it’s gotta be necessary.
The desert: I was not at all expecting that, a real shift. Intense.
The one translation issue I notice here might be ‘contempt’ – the original Polish must’ve been snappier, because it feels a bit too wet a term for people to be using all the time when they’re talking about literal razing armies and pogroms.
Worth mentioning – c/w sexual violence. Brought up a fair bit, depicted non-explicitly in one grim scene. Won’t debate the whole ‘it’s realistic’ vs ‘this is fantasy, the middle ages didn’t have elves either, you didn’t have to include that’ thing here, or the merits of that particular scene, but c/w.
The Mirror and the Light – Hilary Mantel
Mantel’s trilogy about the tumultuous career of Thomas Cromwell in the court of Henry VIII comes to a close. Anne Boleyn beheaded, Jane Seymour queen, and Cromwell risen to unprecedented heights – a height before a fall.
As with Wolf Hall and Bring up the Bodies – stellar, rich prose; historical detail, intrigue, and character depth. The trilogy is an incredible window to a particular time and a key figure within it.
This took me a hella long time to read. I’ve got to say that this trilogy – and maybe this book particularly – would benefit from some tightening. I definitely enjoy its sprawl, its atmospheric prose, its reflection. If the narrative were told in the manner I’d normally expect, it would miss much of what makes it special. But by the Mass is it long. It’s simply difficult to hold tension over that span, keep a grasp on all the players and their games. The big events can lose some impact from being cushioned between all the careful manoeuvrers, adjoining stories, and mythic atmosphere.
Still, though – a beautiful account of court intrigue in all its brutal and farcical elegance, growing success bringing with it growing threats and resentments, and a suite of engaging figures trading rumors, banter, and threats. Delightful, weird details and startling twists make the familiar story of Henry and his wives a thoroughly fresh account, an immersive, heartfelt exploration of power through the lens of one man who rose dangerously close to a king.